Lili’s Ladies of the Year 2014

Tags

amanda suter, Aurora Galore, cabaret, coco dubois, Frisky & Mannish, joanna woodward, ladies of the year, laura corcoran, sophie mason, the lilis, Vintage, women

It’s the second Lili’s Ladies of the Year (or the Lili’s as I have affectionately and slightly egotistically named them!) it’s a time when I reflect over the year and give a virtual high-five to women in my circle who are doing amazing, creative or just good old stirling work!

This year has a definite performing lean – this has been my busiest performing year yet and so it only follows that the women I come into contact with are from that world. The list is by no means exhaustive, I’m surrounded by incredible women who are all in charge of their business.
Working in the creative arts sometimes feels as though you are on a boat. Times of flying along with the wind in your sails followed by what feels like tides of doldrums and becalmed non-activity. It’s learning to ride the swell and keep your head down that gets you through. So, women, I give you a round of applause, which admittedly is just me clapping alone in my kitchen whilst a bemused dachshund looks on, however it is a round of applause nonetheless.

So, the Lili’s this year go to:

Aurora Galore
Watching Aurora Galore make waves in her ‘Year of the Weirdo’ has been joyous. From globe-trotting to award-winning, Aurora has been doing awesome things both onstage and off. From her make-up vlogs and her creative costuming to her fierceness and fearlessness onstage, it has been a bumper year for Aurora.

A woman of many skills, her fan dancing has to be seen to be believed and this year she has been passing those skills over to other performers in her sold-out fan dance workshops.

In June she won ‘Most Innovative’ at the Burlesque Hall of Fame Weekend in Vegas with a performance of such ferocity and kookyness that it left the audience open-mouthed and on their feet.

If you get the chance to see her live in 2015, do, she’ll knock your socks off.
[photo: Aurora Galore]

Joanna Woodward/Coco Dubois
As a host, I rarely get to work with other hosts and I have to watch their careers run parallel to mine on various social media. At the tail end of this year, I got the chance to work with Coco at the Black Cat Salon des Artistes having wanted to work alongside her for ages. We were down an act and she stepped in at the last moment after her show was unexpectedly cancelled and she absolutely killed the audience, who quite rightfully gave her a standing ovation. She is a performer who manages, successfully, to have a foot in both cabaret and musical theatre. As I write this blog, she has just started rehearsals for a new West End production of ‘Beautiful – The Carole King Musical’ having already appeared in the hugely successful revival of Sondheim’s ‘Merrily We Roll Along’.

As well as having an astonishing voice, she has also been an outspoken voice for mental health and size issues on her blog, which is both emotional, honest and truly gives a glimpse into the, at times, fragile psyche of an artist. As well as writing, singing and hosting she has also been nominated for a London Cabaret Award this year.

 

So cabaret’s loss is musical theatre’s gain – for a while – I hope she’ll come back!
[photos: Andrew Nash & Lovany Manson]

Amanda Suter
I’m a complete vintage addict and Amanda Suter is one of my favourite vintage dealers. If I had to pick one place to get my fix in 2015, it would be Butchwax Vintage. Her stock is divine, like seriously world-class, A grade, stunning vintage. I’m never more thrilled than when a glorious piece she posts in her Etsy shop is not my size!

From gowns made for Persian royalty to frocks from Hawaii and everything in between, she is my go to gal for beautiful pieces that make me smile. She has an amazing eye for vintage that is unusual and rare as well as just downright divine.

Looking at her gorgeous clothes really does bring a smile to my face and I’m always enjoy it when she lists her new things and there is an internet scramble for the choicest morsels! Her parcels come beautifully packaged and wrapped with love and I’m always excited when one drops onto my doormat. I urge you to look at her fabulous Etsy shop.
[photos: Amanda Suter]

Sophie Mason
Three years ago, I started my variety show, AFVS, at the Edinburgh Festival. I was in the early stages of being pregnant with my son and I was aware that my lifting, carrying and people organising abilities were slightly compromised! I decided to take on an intern for the Fringe and I put the call out. I sifted through a raft of applications and one caught my eye. It was from a teenager from Dundee.

She didn’t have much experience, she hadn’t worked in cabaret but something kept bringing me back to her email. I decided to interview her and adored her immediately. I was concerned at her age so decided to take on a different chap and offer her work experience for the month. It was the worst decision ever, the chap turned out to be utterly incompetent and Sophie saved the day after day after day! She learned quickly, was efficient and awesome to be around.

She is amazing at organising, wrangling performers and keeping everyone (including me) on the straight and narrow. Since then, she has become a fixture of our team and even though she is now studying stage management at the Mountview Academy of Theatre Arts in London, we can’t imagine doing a variety show without her. Once she’s graduated, I’m sure she’ll be fighting off offers of work and I will be thrilled to see her doing amazing shows.

Laura Corcoran/Frisky
Miss Corcoran has had a rather fabulous year, a sell-out season of a brand new Frisky & Mannish show at the Edinburgh Fringe with her partner-in-crime Mannish (Matthew Floyd Jones), followed by a very successful tour and directing the Elaine Paige show and national tour.

 

I have been lucky enough to work with her regularly at the Cafe Royal for the Salon des Artistes and her powerhouse vocals and inspired interpretations never fail to make me applaud very loudly. Her rendition of Florence & the Machine’s ‘Girl with One Eye’ remains one of my favourite interpretations of 2014. When Frisky goes freaky it’s fricking fabulous.

I look forward to working with her more in 2015 – hurrah for sisterhood.

So those are some of the ladies who inspired me this year. I can’t wait for 2015 and to be inspired again by all the creative, clever and funny ladies with whom I get to pass time. See you next year!

Love Lili. x

Burlesque Hall of Fame – final installment!

Tags

Aurora Galore, BHoF, bonnie fox, burlesque, Burlesque Hall of Fame, Kingfish, medianoche, Midnite Martini, Reigning Queen of Burlesque, swarovski, The King of Burlesque, vegas

I do apologise for the radio silence, it is getting very close to Edinburgh and my hands have been full of plans and programming for my variety show – Another F*cking Variety Show! I have a little time now, so I thought I would sit down and tell you all about Vegas.

So, the day of ‘The Big Show’ arrived. For those of you unfamiliar with the Burlesque Hall of Fame ‘Miss Exotic World’ Competition, it is like the Superbowl of burlesque. Performers from all over the world compete for titles in categories of ‘Best Debut’, ‘Best Troupe’, ‘Best Group’, ‘Best Boylesque – The King of Burlesque’ and the most coveted title ‘Miss Exotic World – Reigning Queen of Burlesque’.

I arrived in the empty theatre at quarter to eleven in the morning, with coffees in hand for my co-host, Kingfish from San Francisco, and I. I was early and the theatre was peaceful with the technical staff setting lights and the crew discussing the show details. I sat on the edge of the enormous stage and just took in the space. Gradually, burlesquers from all around the world began to drift in with fans and heels. Kingfish arrived and we sat down at the front of the auditorium and began to watch every single tech, we’d never met before, so it was a great chance for us to get to know each other a little before hosting a show together. I really love watching ‘mime burlesque’, that is, the burlesque that performers do when they are running through their routine in rehearsal so the tech wasn’t a chore. It also gave me the chance to see every routine that I’d be introducing, so I could get a feel for their style and intro them appropriately. It was really fantastic to see everyone do their thing before the audience that evening, and the tension was palpable even when everyone was in rehearsal clothes. My darling friend Aurora Galore was there and Bonnie Fox too, both competing for Best Debut.

 

I dragged my case backstage and the stage manager, the completely adorable Nikki Knickers, showed me to my dressing room which I was sharing with Lou Lou D’vil, Kingfish and Melody Sweets. I had five costume changes for the five hour show as well as the corresponding heels, sparkles, gloves and headdresses.

After the tech, late in the afternoon, I went upstairs to my room and gave myself ten minutes of peace, then I threw my face on and having seen the size of the venue made sure to drag up even more than usual. I literally had all the eyes and enough contouring to make RuPaul proud! I headed down to the theatre and slipped backstage where what seemed like 5000 burlesquers were buzzing around conversing in many different languages. There were more Swarovski’s per capita than I had ever seen. In fact, I’m sure that Burlesque Hall is solely responsible for keeping Swarovski afloat!

The show started with a troupe of dancing girls and semi-nude Kingfish. I was behind the curtain and my heart was in my mouth. Just get out onstage, don’t trip over your gown. Remember not to breathe and swallow at the same time, (you’d be surprised how much I do that!) The curtains opened and there were 800 people staring at me. Famous faces from the world of burlesque; producers, performers, teachers and legends. I sang an opening number – something short and sweet – no time for soliloquies! And then with a clap, a cheer and a “Lili, who’s your daddy” we were into the show.

First out of the blocks were the ladies competing for “Best Debut”. I was blown away time after time by the uniqueness and style of all the different performers. The UK performers, Aurora Galore and Bonnie Fox knocked it out of the park. Bonnie Fox’s Charleston-based routine was so slick and stylish that she made everyone else who attempted Charleston for the rest of the night look like beginners, (as well she should as she is one of the best Charleston dancers in the world!!). Aurora Galore was the final Debut and she was an astounding ball of wild energy. Dance-based and frenetic, Aurora managed to cram so much into her four minutes. Her poi-style fan work is astoundingly fast and she has the most awesome curves too, a tiny waist and a peachy ba-donk-a-donk. She has to be seen to be believed and although she is often imitated in the UK, she is never bettered for sheer out there weirdo-ness which stood out a mile amongst so much classic beauty. We all need a little weirdo in our lives and Aurora is more than a little!

As the night rattled on through amazing act after amazing act, the audience managed to stay focussed and enthralled even thought the show was easily the longest show I have ever hosted. As we made it to the potential Queens, I was in my second to last costume, my feet were killing me, my make up was still looking on point – but only because I was wearing so damn much of it and I had sprayed my face liberally with hairspray. I think I would still have been wearing it today if I had left it to fall off naturally! The Queens-to-be were all absolutely beautiful. Stylish, classy and elegant. I adored Medianoche, her routine was beautifully old-school and she has a very Catherine Delish-esque poise. Her sea-green and blue gown was literally heaven to me and the Swarovski’s on her nails caught the light and flashed most hypnotically.

We came to the end of the show and whilst the judges deliberated, Loulou D’vil, the Reigning Queen 2013 performed her outgoing dance. She was astounding. The glorious mix of utter sex and devastating glamour is a heady combination and Loulou has charisma in bucketloads. And did I mention that she might be the most beautiful woman I have ever seen?

The moment came to announce the winners. We announced the adjectives first (‘Most Innovative’, ‘Most Dazzling’ etc) and as I glimpsed in to the envelopes, I saw that both Aurora and Bonnie had won ‘Most Innovative’ and ‘Most Dazzling’, respectively. I was so proud of the both of them but I was especially thrilled for Aurora, she works so so so damn hard to create look that is so out of the norm, especially in the sea of beauty that is Vegas, and she is a fearless performer. It was the icing on the cake when Bonnie won ‘Best Debut’. We announced the other winners, Mr Gorgeous won the King’s crown and with it, a deliciously saucy kiss from the outgoing King Ray Gun and Boylesque legend Tigger! I’ve popped all the winners below for you. I would have loved to see Medianoche win but it was Midnite Martini who took the crown and deservedly so, as her routine had ladders, silks and some fascinating stocking work.

 

• Miss Exotic World 2014, Reigning Queen of Burlesque: Midnite Martini (Denver, CO)

  • 1st Runner Up: Medianoche (New York, NY)

  • 2nd Runner Up: Ginger Valentine (Dallas, TX)

• Best Boylesque: Mr Gorgeous (New York, NY)

• Best Debut: Bonnie Fox (London, United Kingdom)

• Best Group: Land of the Sweets (Seattle, WA)

• Best Troupe: The Ruby Revue (Dallas, TX)

• Most Classic: Missy Lisa (Dallas, TX)

• Most Comedic: Kitten & Lou (Seattle, WA/New York, NY)

• Most Dazzling: Bonnie Fox (London, UK)

• Most Innovative: Aurora Galore (London, UK)

So that was my weekend in Vegas. The following day, we lounged by the pool at the BHOF pool party

– you have never seen so many incredible people – with what a gloriously diverse community the burlesque world is blessed.

Now onward…to Edinburgh.

Burlesque Hall of Fame Weekender – part 2

Tags

Aurora Galore, BHoF, burlesque, Burlesque Hall of Fame, cabaret, Du Barry, Ivy Wilde, Legends of Burlesque, Titans of Tease

So Friday morning arrived and due to my wonderful jet-lag, I was up with the lark and on the hunt for breakfast. American breakfasts are huge and I adore breakfast so I was thrilled to find a decent huevos rancheros. Having stuffed myself to the point of bursting we decided to head to the home of rhinestones, Du Barry. We met up with of some the other UK performers, Aurora Galore, Havana Hurricane, Daisy Cutter, Ivy Wilde and Trixie Pash and after a quick cab ride in the scorching heat we arrived at a Mecca for magpies. Du Barry’s is literally groaning under the weight of so much sparkle, more sparkle than I had ever seen in one place and it gave me palpitations and I felt slightly sick! The burlesquers dashed from station to station filling baskets with sparkle, much like a BHoF Supermarket Sweep. After an hour of bedecking ourselves in gowns, necklaces, bangles and rings we all paid for our hauls and decided to head to the Burlesque Hall of Fame Museum. We stepped outside into the blistering heat and found that there were no taxis to be found. I felt sure that my time had come – I spend most of my time avoiding the sun like some sort of nosferatu. Although at least having visited Du Barry, I would sparkle like something akin to a Twilight vampire! We waited for what seemed like an age before we (I) made the decision that we would walk to the intersection to try to get a bus back to the city. We trudged along with the sun scalding us, laden down with bags of sparkly shit – we must have looked quite the sight.

English girls hit Du Barry hard! From l-r Ivy Wilde, Havana Hurricane, Me, Aurora Galore and Louise (Aurora’s pal)

Having made it to the intersection my wonderful husband managed to hail a cab and we piled in and headed for ‘Old Vegas’. The cab dropped us outside the Mob Museum and we strolled down Fremont Street. It was easy, with the old buildings and the neon signs, to imagine The Rat Pack partying there.

UK Showgirls in Fremont Street? Well, we had to take showgirl pictures.(Me, Daisy Cutter, Aurora Galore, Ivy Wilde, Havana Hurricane and Trixie Pash)

We wandered further down until we came to the Burlesque Hall of Fame Museum, we stepped through the door and paid homage at the shrine to American burlesque collected, treasured and displayed  by Dixie Evans, before her death. It was amazing to see the detailed timeline of burlesque emblazoned across the walls punctuated by artifacts and costumes. It was fascinating but time marched ever onwards and we dashed back to the hotel.

Above: The Aussies and I on Legends Night. What a show, thanks for the tissue scraps ladies!

I managed to catch a snooze before the time came to drag myself out of bed and get myself ready for the evening’s entertainment, the much anticipated Titans of Tease Showcase, also known as Legend’s Night. It’s the heart and soul of the weekender I wore my chartreuse Vicky Butterfly gown as the theme for the evening was green. As we came downstairs, there was a sea of green and sparkles. We took our seats and the show began, it was just incredible to see these women, some of whom hadn’t performed for thirty years, absolutely owning the stage and bringing the crowd to their feet time and again. It is so important to learn from them, to watch and support them; the strings of connections go back through them to burlesque past and through us to burlesque future. It was also incredibly comforting to see that despite detractors and censors over the years, burlesque has and will endure. I wanted to load up a bus full of burlesque-antis so that they could feel the love and admiration in that room and see those incredible performances. `
We wept, we laughed, we cheered and paid homage to those who had died including an incredible tribute to Dixie Evans. The hostess of the show, The World Famous BOB was just amazing. She whipped the crowd into a frenzy with her passion for the art. The audience was left humbled and emotional after seeing these incredible burlesque stars still shaking what their mothers gave them. I loved watching Ellion Ness (The untouchable!), Lovey Goldmine and Miss Penny Starr Snr (Her bump and grind had to be seen to be believed). I think the whole audience felt honoured to be there watching our burlesque history in action. I can only hope to be so awesome as I grow older!
Elated, I dashed up to get an early night, I had a feeling that the next day was going to be enormous!

To be continued…

 

 

 

Feminist Burlesque? Don’t make me laugh.

Tags

Audacity Chutzpah, Aurora Galore, burlesque, comedy, feminism, Julie Atlas Muz, Kiki Kaboom, stripping, Wau Wau Sisters

This morning I woke up to a video from the Huffington Post claiming to be “hilarious” and “feminist burlesque”. I thought, how fabulous and clicked gleefully on the video. Imagine my disappointment when it turned out to be an average comedian taking a cheap shot at an art form at which many of my (feminist) friends excel so wonderfully. I’m not posting it here, but you can easily look it up. I adore burlesque, it was a scene that made me feel so welcome when I was just an opera singer seeking to send up opera by mixing it with striptease. Now, having evolved, I frequently host shows with some of the best strippers, ecdysiasts and showgirls that the business has to offer. Women so at home, so comfortable with their bodies and their sexualities that nakedness and nudity is not even slightly taboo. What could be more feminist than that?

So, Nadia Kamil, let’s look in detail at your ‘feminist burlesque’ for a second, shall we? Let me first explain the meaning of burlesque to you, since when you created your ‘routine’ you obviously didn’t seek to explore the rich history of the art form which you feel is ‘shaming’. Burlesque at its very purest means to send up, to take the piss out of something, to make people look at role models or people deemed important and laugh at them. Very much like your stand up comedy. Although, being a women, you wouldn’t know about funny, would you? Whoops, a hack cliché slipped in there, how silly of me. Not something you’d expect from someone with a degree…but more of that later. So, by sending up a burlesque routine, you are almost the pure distillation of burlesque itself. Well done you.
You start with your explanation of how someone’s routine made you feel icky. Was it her comedy? Was it her comfort with her own body? That a woman can be both sexy and funny? That must have stung you a bit, as many female comedians struggle with being sexy and funny. Lucky that in the burlesque world, that isn’t an issue we struggle with, it’s so liberated over on the dark side. I draw your attention to the fabulous Kiki Kaboom if you need an example. Hilarious. Sexy. Liberated.
Then you go on to give away her punchline. Just like that. So the gag that she so carefully sets up over the five or so minutes of her act, you give away. Just. Like. That. Intrinsically, that laugh that you got when you revealed her reveal. That was hers. You are basically a joke thief.

Then, taking off your glasses, so we “can’t see your shame”, you start your routine. Using The Stripper. A piece that has been used to parody stripping routines since it was written. How original of you. How funny. How multi-layered. I say routine, but that would imply some level of choreography or skill. Do you know how long and hard burlesquers work to make what they do look effortless? Hours and hours and hours of rehearsal and self discipline. Hours of watching the greats from the forties and fifties, the mothers of our craft, watching them to discern how they get each bump and grind absolutely perfect. Studying hand positions and leg angles so that it shows our feminine curves off to the most perfect advantage. The hours spent gluing crystals (and the accompanying E-6000 headache that goes with it) to costumes, the bleeding hands and blisters from fans (like the amazing twerking Aurora Galore who frequently cuts her fingers to ribbons, she goes so hard with those fans!) and pointe shoes, the bad backs and necks from hauling heavy costumes from one end of town to the other, (for burlesquers, like comedians, also do a double – or sometimes even a triple)

If you had done a little research into the art form you were parodying, you’d know that 90% of our audiences are female or couples. It’s very hard to do a sleazy show designed to titillate men when the majority of the audience are women (with degrees – that’s important, apparently). That must mean that burlesque is for girls? No, surely not? Women with degrees, watching other women with degrees, bump, grind and sparkle? Could there be anything more feminist in the world? Stand up comedy perhaps? Ha. Don’t make me laugh.

Then your reveal, it’s ok for me to reveal your reveal isn’t it?  You have hack feminist statements. The obvious ones. Equal pay? Hilariously, burlesque and variety are probably the only professions where women command equal (if not more) money than the boys and frequently top the bill above the men. It is the only profession that is almost solely produced, promoted, paid for and performed by women. Women, paying women, to perform for women.

No mention of the more monstrous feminist issues. FGM, forced marriage, corporal punishments and gang rapes in Africa and India among many others. Surely, a more satisfying pay off would have been to shock your audience as well as making them laugh? After all, many burlesquers succeed incredibly at this. There is nothing more satisfying than shocking and bewitching your audience all at once.

I hope that this has given you an insight into our world, maybe you can understand why many of us are upset at your cheap joke. I’d hope that, if it doesn’t offend your feminist ideals too much, you would go and see some burlesque, see some of the best. There are heaps of feminist burlesque routines out there. Burlesquers who aren’t afraid to play with the idea of expected norms, or to appear both sexy and funny at the same time. Maybe look up the amazing Audacity Chutzpah and her ‘100 years of Women’s Liberation‘ or the utterly incredible Queen of Burlesque, Julie Atlas Muz or the amazingly gorgeous, liberated, confrontational and multi-talented Wau Wau Sisters. Hey, one of them even won a coveted Foster’s Comedy Panel Prize talking about rape. Did you Nadia? Try harder, lady, try harder.

So maybe you could stop bashing other women doing what other women gotta do, artistically or otherwise. Surely that is the very meat and bones of our modern feminism? And don’t give away the punchlines….!